Our classes will increase your muscle tone and strength, as well as your flexibility, agility and balance. Ballet builds core strength and stability, and improves your posture, coordination and control, and the emotional value of moving to music is incalculable.
Ballet exercises are set in combinations to music, adding a level of mental exercise that is very different to other forms of fitness. Our students report feeling more graceful and more confident and that their brains get a thorough workout too!
Lean, strong muscles
Everybody Ballet was founded by Isabel McMeekan, a former ballerina with The Royal Ballet. McMeekan has developed a set of classes that takes the best aspects of classical ballet and makes it accessible for everyone. Our classes are friendly, unintimidating, holistic and fun. Here at EB, you will learn the basic exercises, stretches and techniques of classical ballet. We can help you look better, feel better, and develop a greater awareness of this beautiful art form.
McMeekan is the first person to make the ‘Everybody Ballet’ methodology available throughout London. She has strong, enduring relationships with leading ballet companies and vocational schools worldwide.
A ballerina with a record of high achievement in the art form, McMeekan trained at Elmhurst and The Royal Ballet School. Her career saw her dance as First Soloist with The Birmingham Royal Ballet and The Royal Ballet. McMeekan has gained The Royal Ballet professional dancer’s teaching diploma. She is currently a Trustee of Amber's fund for The Royal Ballet.
Brazilian dancer Roberta Marquez has been a principal ballerina with the Royal Ballet for over a decade. She has also guested as a principal dancer with American Ballet Theatre, Kirov Ballet and K Ballet in Japan. She has danced the leading roles in all the classical repertory. Miss Marquez has also been coached by some of the top dancers in the ballet world including Natalia Makarova, Elizabeth Platel, Anthony Dowell and Monica Mason.
Parker Bowles is a journalist. She has written about arts and fashion for magazines and newspapers and is currently Associate Editor at Harper's Bazaar. Her involvement with Everybody Ballet began as a pupil. Inspired by EB's mission to bring classical ballet techniques to a wider audience, she is currently acting as a consultant, overseeing all editorial strategy including our brand new magazine "Talking Ballet"
American dancer Deirdre Chapman is a former First Soloist of The Royal Ballet. A former member of San Francisco Ballet and Rambert Dance Company, Deirdre joined the Royal Ballet in 2002 as a First Artist and was promoted to Soloist within three months of joining, and to First Soloist in 2003. She retired from the Royal Ballet in 2014 and has since returned as assistant choreographer, working with Kim Brandstrup on Ceremony of Innocence and Hofesh Shechter on Untouchable.
Leire was born in Bilbao, Spain. She trained in Classical Ballet with Ion Beitia for 7 years and continued her dance education at The Royal Ballet upper school before joining the The Royal Ballet Company in 1990 where she danced for 12 years, as a soloist. In 2002 Leire joined George Piper Dance (The Ballet Boyz). Leire is a certified dance teacher (R.A.D. Professional Dancers Teaching Course) as well as a certified Pilates and Gyrotonic instructor.
Tara-Brigitte Bhavnani is a Canadian ballet dancer who has performed with the Royal Ballet for over 15 years. She has danced in all of the productions at the Royal Opera House and around the world with the Royal Ballet since 2002. Tara has gained two teaching qualifications while still dancing, as Associate with the Imperial Society of Teachers of Dancing as well as The Royal Ballet School’s Professional Dancers’ Teachers Course.
English dancer Helen Crawford is a First Soloist of The Royal Ballet. Helen was born in Ipswich and trained at the Linda Shipton School of Ballet before joining The Royal Ballet School White Lodge. She joined the Company in 1999, promoted to First Artist in 2003, Soloist in 2008 and First Soloist in 2009. Helen has danced all of the classics as well as creating roles in works by Liam Scarlett and Wayne McGregor.
Morgan is a ballet enthusiast and occasional ballet blogger. She first began taking ballet classes in her mid twenties, so she knows what it is like for students who are new to ballet as an adult. Morgan is the first point of contact for new and current Everybody Ballet students, and also schedules private lessons
For anyone and everyone - no previous experience necessary. The beginner's class will give you a clear understanding of the basic techniques fundamental to classical ballet and improve your knowledge and control of your body. Our classes usually start with some flexibility and core work, followed by exercises at the barre focussing on different areas of the body, and finally moving to the centre of the room for more challenging movements.
The intermediate class works at a faster pace and encourages you to try more advanced movements and more difficult combinations. Suitable for those who are now comfortable in our beginners’ classes, and those who have previous experience of ballet.
A unique class specifically created for 60 year olds and over, involving gentle stretching, core work, barre work and centre practice.
We are now introducing "intimate evenings" with luminaries of the ballet world- we are kicking off with the one and only Leanne Benjamin AM OBE
Our three hour repertoire workshops give you the chance to dance a piece from one of the many well known classical ballets. Expertly taught, this is a unique opportunity to put your class work into practice and build on your artistry.
Our masterclasses are with current leading ballerinas and dancers and are truly inspirational for all involved.
Our two day intensives cover flexibility, class, repertoire and pas de deux, a wonderful opportunity to experience the typical working days in a ballet company.
All our classes are intended to help you use your body in a healthy, sustainable way. Those who are attending our intermediate level classes and are interested in pointe work should ask us for an assessment. Here we can discuss whether pointe work would be suitable for you. Pointe work carries a real risk of injury unless properly supervised, so we teach it in a private/duet situation to ensure the proper level of care. Please contact us if you wish to discuss this further.
Please wear whatever you are comfortable in – most of our regulars wear some kind of leggings, easy t-shirts/sweats and socks. We can give you advice on which ballet shoes are most suitable for our classes. Ballet shoes are mandatory at The Royal ballet school, Covent Garden classes. Please bring water and a mat or towel. Tutus optional....
Please email us firstname.lastname@example.org to register for your taster class, drop-in class or block of classes. Payment can be made online via paypal, by cash or by cheque payable to "Everybody Ballet" and must be made before the class starts.
Private and duet classes focus on you entirely. Discuss with us your needs and goals and we can design a class especially for you, whether it's for those who prefer to learn in a private environment, or those who regularly attend ballet classes and want to focus on a specific area in detail, or even those who want to get a head start before joining a group class.
Expect to see a speedy improvement in your overall body strength and shape. An hour’s private is £75 per hour, a duet class is £45 per person per hour.
Golborne Place is a west-London studio owned by former principal ballerina and Governor of The Royal Ballet, Monica Zamora, fully equipped and with a beautiful, calming atmosphere.
We have had the privilege of coaching a number of girls and boys of all ages and we have had some outstanding results. Pupils have been accepted into White Lodge, Junior and Mid associates at The Royal Ballet school and many national and international summer schools. Our teaching qualifications,
combined with our extensive knowledge and first-hand professional experience, ensure that our coaching is of the highest standard. We can focus on whatever is required: including technique, pointe-work and repertoire, An hour’s private is £75 and a duet class is £45 p/person, p/hour.